Contents


Contents

[5]

Goce Naumov and Jasmina Gulevska
A FIELDWORK SEASON AT VELUSKA TUMBA SITE IN 2020

[54]

Viktoria SOKOLOVSKA
SOME ESSENTIAL QUESTIONS FROM THE HISTORY OF PAEONIA AND PAEONIANS

[66]

Robert PETKOVSKI
THE STRIGIL USED AS A DECORATION ON TOMB MONUMENTS IN THE EARLY ANTIQUE PERIOD ON THE BALKAN

[82]

Olivera JANDRESKA
ANALYSIS OF FUNARARY SYMBOLS ON THE STELA FROM THE ARCHEOLOGIC SITE GRADISTE,VILLAGE DEBRESTE

[96]

Dusko TEMELKOSKI
PRE-ROMAN STYBERRA

[120]

Igor EFTIMOVSKI
CONTRIBUTION TO THE STUDY OF ANCIENT COMPASSES WITH EXAMPLES FROM MACEDONIA

[136]

Vladimir MILANOVSKI
THE NECROPOLIS »GUMENJE« AT TRESKAVEC MONASTERY

[144]

Marina TODOROVSKA ONCEVSKA
STONE MADE ART OBJECTS FOUND IN SCUPI IN THE ROMAN THERMAL COMPLEX

[158]

Lence JOVANOVA
ROMAN LAMPS FROM SCUPI WITH THE PERSONIFICATIONOF THE PROVINCE OF AFRICA

[1769]

Misko TUTKOVSKI
MOSAIC DECORATION FROM THE FIRST PHASE OF THE EPISCOPAL BASILICA IN STOBI

[190]

Dafina GERASIMOVSKA
TRAVELLING THROUGHOUT THE PAST OF THE HOUSE OF GR IN STOBI

[200]

Igor KUZMANOSKI
WREATHING OF THE DEAD

[216]

Davca SPASOVA, Bosko ANGELOVSKI
DISCHARGED ROMAN SOLDIERS FROM LICHNIDUS

[230]

Carolyn S. SNIVELY
THE SOUTHWEST CEMETERY CHURCH AT GOLEMO GRADISTE, VILLAGE OF KONJUH

[238]

Damjan DONEV
THE PERIMETRAL WALLS OF VIDIN GRAD IN THE MIDDLE VARDAR VALLEY, NORTH MACEDONIA

[272]

Pare ZARES
ENIGMATIC GLAZED FRAGMENT FROM THE SITE ZELIGOVO

[280]

Andela GAVRILOVIC
LOW RELIEF DECORATION OF MARBLE PLATES ON THE CITY FOUNTAIN IN HERACLEA LYNCESTIS (562) AND ITS MEANING

[294]

Dragan GJALEVSKI
BYZANTINE BALKAN POLICY (MIDDLE OF 9th BEGINNING OF 10th CENTURY) COHESION OF DIPLOMATIC SOLUTION AND WARFARE

[304]

Nikos CHAUSIDIS
BYZANTINE INSCRIPTIONS ON A DEFENSE TOWER FROM THE MEDIEVAL TOWN OF SKOPJE

[340]

Elica MANEVA
REVIEW OF THE ARCHEOLOGIC REMAINS FROM THE MEDDIVAL TOWN OF SKOPJE

[380]

Smiljka GABELIC
FASADNE FRESKE LESNOVA: RAZLOZI POSTAVLJANJA I PRESLIKAVANJA

[400]

Andrijana GOLAC-CUBRILO
THE TRANSFIGURATION FRESCO IN THE MONASTERY OF ZRZE

[410]

Tatjana VULETA
GARMENTS WITH HANGING SLEEVES:A GENERAL REVIEW WITH TAXONOMY OF STYLE AND CUT

[454]

Elizabeta DIMITROVA
POWER OF ART

[470]

Filipova SNEZANA
ARTISTIC SOLUTIONS, REASONS FOR CHOOSINGICONOGRAPHY, CIRCULATION OF MODELS ANDIDEAS, ART HISTORY TERMINOLOGY

[476]

Viktorija POPOVSKA-KOROBAR
ARTISTIC INDICATIONS FOR THE CHRONOLOGY OF THE CHURCH IN MAZHUCHISHTE NEAR PRILEP

[508]

Darko NIKOLOVSKI
THE ICONS FROM THE CHURCH OF ST. ATHANASIUSIN THE VILLAGE DOLNO DUPENI, PRESPA

[530]

Liljana KEKENOVSKA PAUNOVSKA
RESEARCH AND CONSERVATORY RESTORATION INTERVENTIONS OF TWO ICONS, ÎNE OVER THE OTHER PAINTED LAYERS FROM THE CHURCH ST. ATANASY s. DOLNO DUPENI, BITOLSKO

[558]

Lidija ROBEVA CUKOVSKA – Jehona SPAHIU JANCEVSKA
CHARACTERIZATION OF THE WALL PAINTING IN THE CHURCH OF ST. NICHOLAS IN THE MONASTERY OF TOPLICA BASED ON CHEMICAL ANALYSIS

[572]

Alexander KUYUMDZHIEV
ICONS OF MONK METROPHANES OF CHIOS IN BULGARIA

[590]

Sneska LAKALISKA
EMPRESS HELENA A PROMOTOR OF IN THE TRAVEL OF THE CHRISTIAN VOTARIES AND FINDING THE TRUE CROSS

[600]

Nebojsa GADZIC, Ljiljana GADZIC
PARADIGMA IN ARCHITECTURE OF PRIZREN

[614]

Lidija KOVACHEVA
CIRCLE OF LIFE: MARRIAGE, BIRTH AND DEATH – POSSIBLE LEGACY OF ANCIENT CUSTOMS IN THE MACEDONIAN FOLK TRADITION

[622]

Ïåðî ÑÈÍÀÄÈÍÎÂÑÊÈ
ÌÈËÓÒÈÍ ÃÀÐÀØÀÍÈÍ - ÏÐÎÔÅÑÎÐ ØÒÎ ÑÅ ÓØÒÅ ÇÁÎÐÓÂÀ

[623]

Áîáàí ÕÓÑÅÍÎÂÑÊÈ
In memoriam: ïðîô. ä-ð Èâàí Ìèêóë÷è�“ÏÐÎÔÅÑÎÐÎÒ ÌÈÊÓË×È� ÍÀ ÏÎÐÒAÒA ÎÄ ÁÈËÀÇÎÐÀ

[639]

£îâèöà ÃÐÎÇÄÀÍÎÂÑÊÈ
ÇÀ ÎÍÅ ÊÎ£È ŽÅ ÏÎÑËÅ ÍÀÑ ÍÀ ÑÂÅÒ ÄÎËÀÇÈÒÈ. Çàäóæáèíå è çàäóæáèíàðè ó ôîíäîâèìà Àðõèâà Ñðáè¼å. Òîì 1.

[643]

£îâèöà ÃÐÎÇÄÀÍÎÂÑÊÈ
MANDUVALOS, IKAROS. APO TO MONASTIRI STIN PESTI. EPIHIRISI KAI ASTIKI TAVTOTITA TIS IKOYENIAS MANU (TELI 18U EONA – 19OS EONAS)

[647]

£îâàíà ÑÀÂÅÂÑÊÀ
ON THE CROSS-PATH OF CULTURAL IDEAS: Macedonia, the Balkans, Southeast Europe – heritage, management, resources, Collection of Papers, Faculty of Philosophy Publisher

[651]

Àëåêñàíäàð ÂÀÑÈËÅÑÊÈ
Ïðåãëåä íà ïóáëèêàöèèòå ÌÀÊÅÄÎÍÑÊÈÒÅ ÇÎÃÐÀÔÈ ÎÄ ÊÐÀ£ÎÒ ÍÀ XIX È ÏÎ×ÅÒÎÊÎÒ ÍÀ XX ÂÅÊ : ÀÍÄÎÍÎÂ, ÇÎÃÐÀÔÑÊÈ È ÂÀÍ�ÅËÎÂÈ�è ÔÎÒÎ ÀÐÕÈÂÀ ÍÀ ÀÍÒÎÍÈÅ ÍÈÊÎËÎÂÑÊÈ ÇÀ ÌÀÊÅÄÎÍÑÊÈÒÅ ÇÎÃÐÀÔÈ ÎÄ ÊÐÀ£ÎÒ ÍÀ XIX È ÏÎ×ÅÒÎÊÎÒ ÍÀ XX ÂÅÊ (ÀÍÄÎÍÎÂ, ÇÎÃÐÀÔÑÊÈ È ÂÀÍ�ÅËÎÂÈ�)

[657]

Àëåêñàíäàð ÂÀÑÈËÅÑÊÈ
Ïðèêàç íà ìîíîãðàôè¼àòà ÖÐÊÂÀ ÑÂÅÒÈ ÍÈÊÎËÀ, ÑËÅÏ×Å, ÄÅÌÈÐ ÕÈÑÀÐ ÎÄ ÑÀØÎ ÖÂÅÒÊÎÂÑÊÈ

[661]

Äàðêî ÍÈÊÎËÎÂÑÊÈ
ÏðèêàçÑàøî ÖÂÅÒÊÎÂÑÊÈ, ÆÈÂÎÏÈÑÎÒ ÎÄ XIX ÂÅÊ ÂÎ ÑÒÐÓÃÀ È ÑÒÐÓØÊÎ, Ñêîï¼å 2020

[665]

Äàðêî ÍÈÊÎËÎÂÑÊÈ
ÏðèêàçÑàøî ÖÂÅÒÊÎÂÑÊÈ, ÄÈ×Î ÇÎÃÐÀÔ ÅÐÌÈÍÈ£À (1844 ã.)(òðàíñêðèïöè¼à, ïðåâîä è êîìeíòàðè)

[669]

Ekaterina NAMICHEVA, Petar NAMICEV
THE TRADITIONAL ARCHITECTURE IN THE REGION OF PRILEP FROM THE 19TH TO THE BEGINNING OF THE 20TH CENTURY

[700]

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